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STEPHEN REICHERT

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Inspired by "Science, Perception and Reality" (1963) by Wilfrid Sellars and more specifically Sellars' rejection that things and meaning are "given" to us: "The Myth of the Given" and "The Myth of Jones." Also, for example, we do not have the idea that "this is a red triangle" until we have the concept through language. Series 2020 to present.

Stephen Reichert, You'll Be Handsome, I'll Be Pretty, 2023. Acrylic, pen, charcoal, and ink on canvas, 36" x 36".

Stephen Reichert, Nearly Perfect From Now On, 2021. Acrylic, pen, charcoal, and ink on canvas, 40" x 40".

Stephen Reichert, Nearly Perfect From Now On, 2021. Acrylic, pen, charcoal, and ink on canvas, 40" x 40".

Stephen Reichert, I May Be Convinced, That Things Could Be Otherwise, 2022. Acrylic, pen, charcoal, and ink on canvas, 24" x 24".

Stephen Reichert, I May Be Convinced, That Things Could Be Otherwise, 2022. Acrylic, pen, charcoal, and ink on canvas, 24" x 24".

Stephen Reichert, Punches in Bunches, 2022. Acrylic, pen, charcoal, and ink on canvas, 24" x 24".

Stephen Reichert, Punches in Bunches, 2022. Acrylic, pen, charcoal, and ink on canvas, 24" x 24".

Stephen Reichert, You Loved Me When I Was Perfect, 2022. Acrylic, pen, charcoal, and ink on canvas, 38" x 32".

Stephen Reichert, You Loved Me When I Was Perfect, 2022. Acrylic, pen, charcoal, and ink on canvas, 38" x 32".

Stephen Reichert, I Once Stood in Line Behind Eric Davis at a McDonald's, 2021. Acrylic, pen, ink, and mixed media on canvas, 36" x 48".

Stephen Reichert, I Once Stood in Line Behind Eric Davis at a McDonald's, 2021. Acrylic, pen, ink, and mixed media on canvas, 36" x 48".

Stephen Reichert, Gold Club circa 1996, 2021. Acrylic on two canvases, 24" x 36".

Stephen Reichert, Perfect, Timing, 2021. Acrylic, pen, charcoal, and ink on canvas, 40" x 40".

Stephen Reichert, Perfect, Timing, 2021. Acrylic, pen, charcoal, and ink on canvas, 40" x 40".

Stephen Reichert, Perfect, Timing (DETAIL), 2021. Acrylic, pen, charcoal, and ink on canvas, 40" x 40".

Stephen Reichert, Perfect, Timing (DETAIL), 2021. Acrylic, pen, charcoal, and ink on canvas, 40" x 40".

Stephen Reichert, Emotional Support Beams, 2021. Acrylic, pen, charcoal, and ink on canvas, 40" x 40".

Stephen Reichert, He's a Talented Talent, 2021. Acrylic, pen, and ink on canvas, 24" x 24".

Stephen Reichert, He's a Talented Talent, [DETAIL] 2021. Acrylic, pen, and ink on canvas, 24" x 24".

Stephen Reichert, Nice Bunt, Stupid, 2021. Acrylic, charcoal, pen and ink on wood pulp paper, 30" x 22".

Stephen Reichert, Wednesday in the Studio + Sheila Dixon Commemorative Recycling Bin = Unsustainable Perfection, 2021. Acrylic, pen, headphone wire, and ink on canvas, 24" x 24"

Stephen Reichert, Wednesday in the Studio + Sheila Dixon Commemorative Recycling Bin = Unsustainable Perfection, 2021. Acrylic, pen, headphone wire, and ink on canvas, 24" x 24".

Stephen Reichert, Wednesday in the Studio + Sheila Dixon Commemorative Recycling Bin = Unsustainable Perfection, 2021. Acrylic, pen, headphone wire, and ink on canvas, 24" x 24".

Stephen Reichert, No Presure, But I Love You Because You're Perfect, 2021. Acrylic, pen, and ink on canvas, 48" x 36".

Stephen Reichert, No Presure, But I Love You Because You're Perfect, 2021. Acrylic, pen, and ink on canvas, 48" x 36".

Stephen Reichert, Your Habit Body v. Your Body at This Moment, in other words Feel Things Anew! 2020. Acrylic, pen and ink on wood pulp paper, 30" x 22".

Stephen Reichert, This is a Red Triangle, 2020. Acrylic, pen and ink on wood pulp paper, 30" x 22".

Stephen Reichert, The Myth of the Given, 2020. Acrylic, oil, pen, ink and 1981 Donruss baseball cards, on wood pulp paper, 30" x 22".

Stephen Reichert, The Myth of Jones, 2020. Acrylic, pen and ink on wood pulp paper, 30" x 22".

Stephen Reichert, The Myth of Jones, 2020. Acrylic, pen and ink on canvas, 24" x 24".

©2004 - 2020 Stephen Reichert | MINIMAL

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